Sunday, 31 March 2013
Florence Art & Photography trip - March 2013.
In late March of this year the Art department at my sixth form took a 6 day trip to Firenze(Florence), Italy where we were for the most part going to tour the iconic Roman architecture and Renaissance art in what was arguably the cultural epicentre of the "Rebirth" movement during the 14th to 17th centuries.
This was for myself a thrilling prospect as I would be able to view first hand the works of artists such as Michelangelo and Da Vinci while also residing in what many would claim to be the most beautiful city in Europe.
- Ponte vecchio, market bridge.
However this was all for the tourists, Florence in fact isn't just an artisan time-capsule nor a still painting but rather a modern social hub, with a thriving business sector, grid-locked traffic and street crime. In the past I've spent far too many foreign trips as a tourist and so on this occasion I was determined to see Florence at its most raw, which may occasionally involve stepping off our classes set itinerary for the week.
- view of Florence from atop the hill at the Piazzale Michelangelo.
Because i'd spent the majority of my artistic study for this academic year focusing on 'Graffiti' or 'street-art' I was already well aware of its prominence in cities across the world as well as some this movements infamous artists - 'Bansky' perhaps being the most prolific; However when arriving in Florence I immediately pondered the words of French street-artist 'JR' whom after completing a series of large photographic murals in Paris, recalls in an interview "the city was my canvas." I must say that when passing the huge white marble statues outside the Palazzo Vecchio or walking within the grey-walled and modestly furnished interior of the Museo Accademica, it's not difficult to understand why Artists such as JR would want to add a little colour.
- 'David' bronze replica statue in the Pizzale Michelangelo square near the top of the Monte Alle Croci.
Friday, 15 March 2013
1st life drawing session 20/2/13
On February 20th I began my first ever Life-drawing class; Primarily I signed up for these sessions as it was a skill I was inexperienced with and would act as an essential facet of my coursework portfolio when it came to applying for a foundation degree course in the near future.
Drawing 1 - Graphite pencil on A3. |
On the 20th - like for all my future sessions, we were given 2 hours in which to produce a series of sketches - each one having a duration of between 10 and 20 minutes.
Drawing 2 - Graphite pencil on A3 |
The first days work would ideally serve the preliminary task of defining my basic style; for these reasons I was not limited in my technique or medium - however I stuck to standard Graphite on cartridge paper for the first five drawings and only changed position once on the final instalment.
Drawing 3 - Graphite pencil on A3 |
It is clear from these first 3 sketches that I had initial difficulty in framing the subject accurately; subsequently this meant the model's feet were partly cut off at the bottom of the page.
At the other end, though I had no problem attempting to sketch the facial details of the model - in this case however the beard made it tricky to fully give an impression of the model's head; Drawing 2 being an example of the head appearing partly shrunken into the shoulders.
Drawing 4 - Graphite pencil on A3 |
These reclining poses gave me the first real opportunity to depict the feet and crucially, give a sense of depth. A problem that I had with a lot of these sketches was conceptualising 'the spine' and building the structure around it as to accurately present a stable figure. Overall this simply meant that the torso looked quite large - a small issue, but still one I would hope to rectify in the future.
Drawing 5 - Graphite pencil on A3 |
In summary I am quite pleased with the outcome of my first life-drawing sketches and over the coming weeks I hope to use a greater variety of media in presenting an equally varied array of model's.
If I had to describe my style at present it would be 'classicist' - but still for the most part, accurate.
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